Polyrhythms.

The jumpsuited trio sat in a triangle of percussion setups facing one another. One piece combined the eerie coo of amplified bowed cymbals with undulating synthesizer chords, shot through with the glimmering tones of Moody running his fingers along glass rods. The next utilized delay effects to extend stick taps on drums into the sound of ball bearings clattering through a whimsical Rube Goldberg machine, before falling into a tight, infectious groove. “I hope you’re ready for some dancing,” Garapic told the crowd in reference to Innov Gnawa, the group that was to play the second half of the concert. I was ready to dance already.

For the Boston Globe, March 24, 2017.

 

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