I’ve had two feature articles published this week in the Boston Globe. One is an interview with soprano Kelly Kaduce, who captured my attention after her performance as a remarkable down-to-earth Mimi in Boston Lyric Opera’s “La Bohème” two years ago. I caught her in a break between BLO “Threepenny Opera” rehearsals to chat with her about preparing for new roles, planning childcare when both parents are performing opera singers, and why it’s easier to play onstage lovers with a stranger than with her husband. Read it here!
The second has to be some of the most fun I’ve ever had writing a Globe article. I wrote a preview of Celebrity Series of Boston’s experimental new music series Stave Sessions, which runs for five night next week. I talked on the phone with Shara Nova of My Brightest Diamond, a personal favorite of mine. (I’ve admired her ever since she sang the role of the imperious, terrifying Queen of the Forest on the Decemberists’ 2009 album “The Hazards of Love,” which came out when I was 15, during the height of my Decemberists fandom.) I also got to spend an hour observing the jawdroppingly impressive musicians of Boston experimental art rock sextet Bent Knee, and talk to them and their percussion mentor Samuel Solomon afterwards. I now know from experience that if you ask the six a question, you’ll get seven answers. You’ll probably also laugh. A lot. Read it here!