Hypnagogia.

Hypnagogic hallucinations are vivid, bizarre sensory experiences that can arise on the edge of sleep. They can immerse us into into weird worlds, stretching a few moments of real time into what may feel like hours. They may seem surreal, even magical — testaments to the ineffable power of the subconscious.

These phenomena came to mind listening to Matthias Pintscher’s new cello concerto, “un despertar” (“an awakening”), which received its world premiere Thursday night via the Boston Symphony Orchestra, cellist Alisa Weilerstein, and guest conductor François-Xavier Roth. Though not a direct adaptation of the Octavio Paz poem from which it takes its title, the concerto encompasses the untethered, hazy feeling of the text. Weilerstein, a profoundly physical player with a dark and intoxicating timbre, was the perfect guide through the piece’s nebulous and unpredictable sonic landscape. Music seems to move through her viscerally.

For the Boston Globe. March 24, 2017.

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Jacob’s ladder.

“It seemed a new universe was being born onstage, a cosmic egg crisscrossed with intervallic paths. Set against passages of chromatic haze, consonances and triads resounded with extra luminosity.

I momentarily looked around for what I thought was a collective sigh from the crowd only to find that the cellos had slid downward en masse, and later I mistook a trombone’s high keen for a yawn or a cry. The music created the illusion of human voices, the purest representation of breath, and time seemed to expand and contract with the spectrum of sounds.”

For the Boston Globe. February 24, 2017.