“It seemed a new universe was being born onstage, a cosmic egg crisscrossed with intervallic paths. Set against passages of chromatic haze, consonances and triads resounded with extra luminosity.
I momentarily looked around for what I thought was a collective sigh from the crowd only to find that the cellos had slid downward en masse, and later I mistook a trombone’s high keen for a yawn or a cry. The music created the illusion of human voices, the purest representation of breath, and time seemed to expand and contract with the spectrum of sounds.”
For the Boston Globe. February 24, 2017.